YENSA Choreographers’ Lab

Choreographers’ Lab 2026

A collaborative initiative produced by dance Immersion and Lua Shayenne Dance Company/YENSA Festival.

CALL FOR PARTICIPANTS

A cohort of Black female choreographers is invited to investigate how personal experience, research, questions, and community shape the worlds they create through movement.

Through embodied exploration, dramaturgical inquiry, improvisation, play, and collaborative exchange, participants will explore how choreography can emerge through both research and world-building practices

The 2026 Lab creates space for conversation around what research means within artistic practice, encouraging artists to engage with lived experience, internal and external inquiry, and embodied knowledge as integral parts of their choreographic process. Artists will be invited to germinate ideas and expand their creative tools through experimentation, reflection, and exchange

This year’s Lab will be led by powerhouse Black female artists Natasha Powell and Lisa Cox.

Participants are asked to bring a generative source or prompt connected to the theme AS I AM that they can work with throughout the Lab. This may include:

  • A piece of music or live sound/singing
  • A poem or text
  • An object

Most importantly, we invite you to arrive with an open heart and an open mind.

SCHEDULE

Saturday, August 15, 2026

1:30 PM ~ Registration and Arrival
2:00 – 6:00 PM ~ Lab
6:30 – 9:00 PM ~ Community Dinner

Canada’s National Ballet School (Concourse Studio 6D), 400 Jarvis St, Toronto, ON M4Y 2G6

ELIGIBILITY

Open to Black female choreographers across all stages of practice.

APPLICATION

Application is now open until July 12th, 2026 at 12:00 AM (midnight).

HONORARIUM

$150 CAD (HST included, where applicable).

MUST BRING

Journal & pen

Headphones

Music/text/object linked to “AS I AM”

Lisa website

LISA KAREN COX is a Director, Movement Director and Intimacy Director dedicated to the intersection of truth, physical storytelling, the body and intimacy. With a career spanning over two decades, she crafts bold, physically charged narratives that prioritize both artistic excellence and performer agency. As a specialist in intimacy and movement, Lisa brings a rare precision to the stage, navigating complex character dynamics with a focus on performer autonomy, consent, and embodied narrative clarity. Her work is defined by its ability to translate deep internal stakes and story into visceral, embodied action, ensuring that every movement serves the narrative while maintaining a brave, safe and professional creative environment. Lisa’s raw and sophisticated approach has been felt at many of the country’s leading artistic institutions, including past work with Obsidian Theatre (How to Catch Creation [with Nightwood/Soulpepper], Flex [with Crow’s], a profoundly affectionate, passionate devotion to someone (-noun) and 21 Black Futures, Nightwood Theatre (Now You See Her, Bear with Me, and Enormity), Tarragon Theatre (Post-Democracy) and Soulpepper (Table for Two, 1851: Spirit & Voice, and Strange Loop). Whether she is staging intricate physical sequences or directing multidisciplinary productions, she remains at the forefront of contemporary practice, shaping a theatrical landscape that is as physically daring as it is ethically grounded.

Natasha pic_website

NATASHA POWELL  is a Toronto native who has been working in the dance industry for 20 years. Her soulful approach to movement that transcends genre can be seen and felt in her dancing, choreography, and teachings. As the founder, artistic director, and choreographer for her company HOLLA JAZZ, she has created award-winning productions, presenting historical jazz dances in a contemporary aesthetic. Their productions have been nominated for multiple Dora Mavor Moore Awards. Her choreographic language has led her to collaborate with the National Ballet of Canada; and on theatre projects for Canadian Stage productions of Choir Boy (2022), and Fall on Your Knees (2023). Natasha is a recipient of the 2023 Johanna Metcalf Prize in the Performing Arts, presented by the Metcalf Foundation. Inspired by Black-American vernacular dances like jazz, hip hop, and house dance Natasha shares her love for movement through teaching workshops in Toronto and abroad.